2009-33，為啥我沒有大學時和燕楠一起看？

大晚上看得心情好沉重。。。

88/100 #FIFF12# 政治的就是個人的，身體上的、有關性的就是政治的。空間是象征性的，被用來分析女性所處的社會結構。電影所關注的就是青年的，或者是學生初入社會時的狀態，戈達爾的創作理念中，永遠關注當下的思潮，一切表達都好像在宣告，在人人都彰顯自身存在的相互隔離情況之下，兩人的短暫觸碰顯得非常難得，“Amour amour，孤獨的靈魂深處，我仰望著你的容顏，全裸的女性的額頭，我的愛就是一片海洋”。“91视频免费看心裏想象的電影無疑是那些發生在91视频免费看生活之中的事情，要具有對世界開放的意識，要經得起時間的考驗”，戈達爾無疑癡迷於這種真相。

奉旨看片，果然牛逼。老板和老板娘的眼光啊。。。

[Criterion Channel]"We went to the movies often. The screen would light up, and we'd feel a thrill. But Madeline and I were usually disappointed. The images were dated and jumpy. Marilyn Monroe had aged badly. We felt sad. It wasn't the movie of our dreams. It wasn't the total film we carried inside ourselves. That film we would have liked to make, or more secretly, no doubt, the film we wanted to live."