或許這個人世間，總有靈魂之伴侶，得之我幸，失之我命。

戈達爾是如何創造出這樣包攬眾多議題而絲毫不顯得雜糅的迷人影像的? 對男性女性的犀利解構/對青年文化的諷刺, 在那個社會主義與消費主義同時發展的年代一切都顯得那麽矛盾和令人迷惘, 許多觀點在當今看來完全不過時, 戈達爾永遠刷新我對電影的認知。

劇情弱的一米啊~~~萬事屋三位的露臉真是淩亂了~~~

Preoccupied with youth culture and consumer products such as pop music, Coca-Cola, automobiless, and with cinema itself. Note the absence of close-ups, credits and soundtrack inserted at seemingly incongruent intervals, long take and continuous tracking shot of extended duration which now becoming a recurring motif in director's arsenal.

一群喜劇演員拍了個笑不出來的犯罪片